EDGY AND TRANSGRESSIVE FICTION AND NON-FICTION

Literary Stalker – Roger Keen

IF YOU VALUE YOUR LIFE, DON’T DARE

TO SUGGEST TO NICK CHATTERTON

THAT HE’S NOT A GOOD WRITER!

Nick is embarking on his latest crime/horror novel – a pastiche of the Vincent Price movie Theatre of Blood, where Nick draws up a hit list of his enemies in the writing world and gets his narrator to dispatch them according to the plots of classic crime and horror movies.

Top of the list is a writer who is both a superstar of the horror genre and who in Nick’s reckoning has wronged him the most. Nick first met Hugh Canford-Eversleigh at a reading more than a decade ago and fell madly in love with him, interpreting their encounter as the start of a magnificent affair. Nick’s feelings soon expanded into full-blown obsession, and he stalked Hugh, believing his love would eventually be returned. Nick was repeatedly rebuffed, much to his anger, but it was years later that his rage reached murderous proportions, due to an unexpected and outlandish twist of fate.

Now through his novel, The Facebook Murders, Nick is settling all his old scores, blurring the lines between autobiography and fiction – and with his obsessions reaching fever pitch, blurring the lines between writing about nasty stuff and doing nasty stuff for real.

Set within the milieu of British horror, fantasy and sci-fi writing, Roger Keen’s new psychological metacrime thriller continues with the literary experiments of his previous book – the novelistic memoir The Mad Artist – involving self-begetting and nested narratives looping and interfacing with one another. As a horror/crime piece with liberal amounts of violence and multifarious nods to simpatico novels and movies, it plays with ideas of genre, and in the traditional of metafiction, it’s very ‘nudge-wink’, tongue-in-cheek and blackly comic.

Literary Stalker works wonderfully as a genre thriller with a delightfully absurd comic edge…a clever piece of genre writing, self-aware and self-critical, but uncompromisingly entertaining. If there are any criticisms to be made about the novel, it would take a braver reviewer than me willing to risk pointing them out to the author.” – Noel Megahey, The Digital Fix, Geek Life

Read the full review here on Geek Life. Read a blog piece by Roger Keen on the novel's inception: Musings of the Mad Artist.

Literary Stalker is now available in paperback and Kindle on Amazon sites worldwide. Purchase from Amazon UK:

ABOUT THE AUTHOR:

Roger Keen was born in London and attended Plymouth College of Art & Design and Bournemouth & Poole College of Art & Design, studying fine art, photography and film. Since then he has worked extensively in television, contributing to many award-winning dramas, documentaries and children’s programmes for the BBC, ITV and Channel 4. His programmes have won Royal Television Society, Worldfest-Houston and other awards.

He began publishing fiction and non-fiction in the 1990s, specialising in dark short stories and articles and reviews concerning weird film and literature. He has a particular interest in the Surrealists, the Beat writers, cyberpunk and the psychedelic movement. His work has appeared in anthologies and magazines including the PsypressUK Journal, Out of the Shadows Critical Wave, Writer’s Monthly, Threads and The Third Alternative. He also contributes to websites such as Reality Sandwich, The Digital Fix, Infinity Plus and The Zone

In 2010 Roger published The Mad Artist: Psychonautic Adventures in the 1970s, a novelistic memoir concerning his pharmo-picaresque adventures as an art student. It is both an example of psychedelic ‘trip-lit’ and a piece of experimental ‘reality fiction’, exploring the interface between autobiography, fiction and metafiction.

Follow link for more information about The Mad Artist.

Darkness visible publishing